She develops workshops and courses on divinatory and ritual poetics theory and praxis, inspired by the work of Selah Saterstrom, CAConrad, and other writer-diviners she has studied with.
Her first full-length poetry collection is currently in progress and explores post-traumatic reimagining, written in part through divinatory means.
A master’s student at California Institute of the Arts, she researches manufactured voice, liberatory writing pedagogy, and the semiotics of divinatory apparatuses, such as Western astrology, tarot, and 易經 (I Ching). Previously, she was a content designer and user experience writer responsible for the manufacturing and implementation of branded voice, tone, and style. Through this expertise, she examines and interrogates artificial writing via the lens of capitalism, technofascism, and cultic theory.